The first thing i ever wanted to be when i grew up was a dolphin trainer. Who also wrote books. And sang songs. And invented things.
The hybrid of this all in my imagination looked like this: i was the musical star of the Sea World dolphin show, using my inventions to train dolphins in singing along. And then i’d write of adventures in books with plots that suspiciously resembled Harry Potter, but with dolphins.
The hybrid of all of this in reality looked like this: a large cardboard box in the corner of my room overflowing with “inventor-y stuff” (matchbox cars, duct tape). As my friend Becca so fondly recalls, i had a plastic toy dolphin named “Trixie” because she did tricks. (Becca will also tell you Trixie’s tricks were a big flop, but that never stopped me from trying). I actually went pretty far with the singing gig – two years of voice lessons and five years of more choir than anyone with any sense of social skills should hope to take. (Actually, i loved choir, but that’s not the point. I still have no social skills.)
But what has outlasted even my tacky-ass black chorus dress and books of Italian arias is the writing. The desire to write books, perhaps without Trixie-as-Harry-Potter plotlines, remains central to my ten-year plan. It’s kind of why i keep a blog: to keep in practice, to keep writing. To preserve material for my someday egocentric and totally indulgent memoir about my romp through a historically women’s college and semester mucking about Europe.
But if i’m honest with myself, my writing about traveling is not the substantial stuff. It’s tremendously fun, and i know come next year when i have the missing-Edinburgh-blues i will be grateful for making the effort to memorialize what i have experienced. And i love travel writing best of all for keeping in touch with neighbors-as-good-as-kin, my parents, my friends back home.
The substantial stuff, though, that’s what i want to do. I remember telling my best friend in high school i wanted to write a classic – a Tolstoy, a Fitzgerald. She facetiously (and rightly) pointed out that no one sets out to Write a Classic. I look back now with a grain more of humility and heartily agree: people write what is meaningful and beautiful to them, and the power that comes from such truth-telling is what defines a classic.
I’m pretty sure i’m never going to write a War and Peace, as much as my self-important teen self may have wanted to. But i do think it is time for me to truly start embracing that fundamental asset i have seen in all the Good and Great Books i have read, from John Green’s teen fiction to my beloved Toni Morrison’s work.
I have to be bolder, take the risks that terrify me with my naked honesty. This doesn’t make me a Phenomenal Writer – it doesn’t even make me a great writer. It means i am writing, truly and deeply, from my gut. And the best i can hope for is that my vulnerability and lexical expression communicates those questions and feelings with authenticity.
So that is what i’ve done.
Tomorrow, friends and family and good-as-kin-neighbors, i have some exciting and anxiety-inducing and wonderful news to share. I hope you’ll come back to read about it, and i hope it doesn’t flop quite the way Trixie used to.
And, hey, even if it does, i’ll just keep trying.
current jam: ‘san francisco’ the mowgli’s (thanks, radha!)
best thing: #talkingtaboo.
also: HAPPY BIRTHDAY MOM, YOU’RE THE GREATEST. Thanks for the dolphin wallpaper and putting up with my “dolphin call” for the whole of second grade.